Mario Adrados Netto's Dama
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I hate to be stuck right at the beginning, but I can't quite see how the folds in 4-10 are arranged... How does that front 10/32 of the paper stay separate from the two laters behind it? I was under the impression that you just kept pleating the three outermost edges, but that doesn't seem right...
For example, if in step 4 you valley fold along the entire left and right sides of the paper, you get something that is identical to having done step 4, then 1-3. On the other hand, if you valley fold through both layers on the edge, (so the raw edge is on the topmost layer for the lower 10/32 of the paper) then the frontmost flap is no longer free. I'm getting the feeling niether of these approaches are what the diagrams are trying to show. Any advice? I think I'm having the same problem as the topic creator's original post, but I couldn't figure it out from Chris's advice.
For example, if in step 4 you valley fold along the entire left and right sides of the paper, you get something that is identical to having done step 4, then 1-3. On the other hand, if you valley fold through both layers on the edge, (so the raw edge is on the topmost layer for the lower 10/32 of the paper) then the frontmost flap is no longer free. I'm getting the feeling niether of these approaches are what the diagrams are trying to show. Any advice? I think I'm having the same problem as the topic creator's original post, but I couldn't figure it out from Chris's advice.
These steps are virtually impossible to describe with words....but: In step four, ALL the flaps are valley folded. This is techniqually impossible, but in step five, everything is maintained and the model becomes flat. You will end up with a very strange collection of flaps at the sides of the model. The only real advise I can give is that the model has to look like step 12. Maybe someone will make pictures, which would make this thread complete, but......
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Understanding comes with practise and if you aren´t able to fold an a little bit more complex model, this is nothing else than a proof that you aren´t experienced enough. So if you want to fold this model go on fold some other stuff and try again when you got better. Time and practise will help you, so the advice to fold something else is the best advice to give if someone is stuck on the first steps of a model and doesn´t even understand the tips given on these steps with photo instructions.
And if you are bored rokonacdc, go out and fold something instead of writing rubbish.
And if you are bored rokonacdc, go out and fold something instead of writing rubbish.
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What rokonacdc said is not rubbish, Anna. While Christian is correct in what he says, HOW he says it makes a difference. Simply telling someone to fold something else (especially with all of the extra question marks) is a very discouraging comment. It sounds like you're saying they're never going to be able to fold this model. Christian's second posting was much better because it explains WHY he's suggesting this person should fold something else. It's more encouraging. We should be encouraging people to fold here, right?
Yes, I am that Joseph Wu. Not that it really matters. And please call me Joseph or Joe. "Mr. Wu" is my dad. 

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Ok, I figured out what I was doing wrong; everything works fine now. I guess I just needed to go to sleep and start over again in the morning. Rokonacdc, are you still having trouble with 14? Those are just normal, friendly, open sinks - sink both flaps all the way in, and then sink the remaining part that's now sticking out the other side back out. Chris's pictures on the first page are very clear.
In response to the past couple of posts, I'm well aware that experience is the only truly effective way to gain ability, and that experience is not something I have going for me. (I folded simple 2D models for a few years as a hobby in grade school, then I forgot all about it until a few months ago when an article about Robert Lang appeared in Scientific American magazine. A picture of his mantis and the CP was all I needed to renew my interest in origami, and I've done little else in my free time since.) I don't know, that's just how I prefer to learn, even in school. I find something engaging, dive in someplace that looks just over my head, then try as hard as I can to stay afloat, and if it works, go someplace a bit deeper next time.
Essentially, I'd rather try folding a difficult model and fail a dozen times before getting a result that looks respectable than spend the same time folding a bunch of simpler models that I already know I'd be able to do.
In response to the past couple of posts, I'm well aware that experience is the only truly effective way to gain ability, and that experience is not something I have going for me. (I folded simple 2D models for a few years as a hobby in grade school, then I forgot all about it until a few months ago when an article about Robert Lang appeared in Scientific American magazine. A picture of his mantis and the CP was all I needed to renew my interest in origami, and I've done little else in my free time since.) I don't know, that's just how I prefer to learn, even in school. I find something engaging, dive in someplace that looks just over my head, then try as hard as I can to stay afloat, and if it works, go someplace a bit deeper next time.
Essentially, I'd rather try folding a difficult model and fail a dozen times before getting a result that looks respectable than spend the same time folding a bunch of simpler models that I already know I'd be able to do.